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The frame changes nothing: in my work, the eruptive dissymmetry between what is conventionally called ‘photography’, or ‘film’ stirs up processes of free exchange: superimpositions, bonding one image to another, and interplaying static and moving images; always striving for the same interwoven and inextricable mesh of figure and ground.

Books

Le chemin d’encre / طريقُ المدَاد — *Le chemin d’encre /طريقُ المدَاد*,
2013

Ce jardin d’encre / Este jardin de tinta — Ce jardin d’encre /
Este jardin de tinta, 2011

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