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The frame changes nothing: in my work, the eruptive dissymmetry between what is conventionally called ‘photography’, or ‘film’ stirs up processes of free exchange: superimpositions, bonding one image to another, and interplaying static and moving images; always striving for the same interwoven and inextricable mesh of figure and ground.

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*François Rouan, Tressages, 1966-2016*, 2017

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